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Leon Redbone: He's A Kinder, Gentler Enigma

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  • Leon Redbone: He's A Kinder, Gentler Enigma

    LEON REDBONE: HE'S A KINDER, GENTLER ENIGMA
    By Diane Bitting, Staff

    Lancaster Newspapers, PA
    http://local.lancasteronline.com/4/207943
    Aug 9 2007

    LANCASTER COUNTY, PA - Myth and mystery swirl around jazz and bluesman
    Leon Redbone, who has been dubbed "the most famous non-famous American
    musician."

    His recurrent musical gigs on "Saturday Night Live" in the '70s and,
    more recently, his turn as the voice of Leon the Snowman in the movie
    "Elf" and his "Baby, It's Cold Outside" duet from that movie, have
    brought him into the public consciousness.

    Still, this enigmatic performer, who favors music from the late 19th
    and early 20th centuries, has done little to shed any light on the
    conjecture that surrounds him.

    But a couple of tidbits came out during a recent, amiable phone
    interview in advance of his return appearance at the Mount Gretna
    Playhouse for Music at Gretna.

    For one, it's said that he travels exclusively by car after surviving
    a plane crash in the early 1980s.

    "I fly to Europe but I don't fly domestic because I'd just as soon
    get in the car and drive," he states.

    While the crash part is true, the main reason he eschews flying is
    because "it's no longer civilized," he says, citing post-911 security
    hassles. "I don't want anything to do with it."

    Another common perception is that he performs wearing a white suite
    with his trademark Panama hat and dark glasses. Previous photos and
    album covers notwithstanding, Redbone says that he rarely wears white.

    "White does not travel well," he notes. "I mostly wear black."

    As for those other mysteries - how old he is, whether he is Canadian
    (he gained notice performing in Toronto in the '70s), what his real
    name is (Dickran Gobalian, a son of Armenian parents?) - those are
    still pretty much mysteries.

    When asked about his age, he replies, "I'm very old. ... You wouldn't
    believe me if I told you."

    "Thousands," he continued when pressed. "I just keep coming back."

    Asked whether he is Canadian, he answers, "I would like to be
    Canadian."

    Why? "Why not? It seems like a nice country."

    And what about the whole Dickran Gobalian/born in Bombay or Cyprus
    tale?

    "I've read that," he says. "I don't believe everything I read.

    Whether or not it's true is another story."

    But Redbone is famous for not telling his story. (He's rumored to be
    married and the father of at least one child.) Still, fans flock to
    hear his unique guitar-accompanied delivery of ragtime and repartee,
    accompanied by coronet player Scott Black and pianist Paul Asaro.

    He calls the regulars his "old following ... Is it a cult now?" he
    says when asked about that reference.

    Redbone takes his favorite vintage music on the road in part to keep
    it alive. He laments the fact that in the past few years, fewer people
    are able to sing along to such songs as "Shine On, Harvest Moon."

    "As the years go by, there seems to be less connection to what was
    once popular" in terms of music and expressing humor, he notes. "Give
    it another 10 years and there won't be any connection at all."

    While he never rehearses a show - "I have absolutely no idea what I'm
    going to do. ... It sounds like a good idea but it isn't for me." -
    it's highly possible that the Gretna audience will hear songs once
    sung by Cliff Edwards (the voice of Jiminy Cricket), Gene Austin,
    Lee Morse or Emmett Miller.

    In fact minstrel singer Miller, known for the song "I Ain't
    Got Nobody," has often been the subject of Redbone's attempts at
    "resurrecting the forgotten" by researching his life and promoting
    his music.

    While music from the 1890s to the 1930s is his specialty, "music is
    music to me. I like music from all over the world," he says.

    Portuguese music in particular.

    As for today's musicians, there's only a handful that he'll listen
    to. These include Norah Jones.

    "I like the mood she creates without all the yelling and screaming
    and publicity and nonsense," he says. She is, he adds, "an inspired
    person musically. That is the way that is used to be."

    The way things used to be seems to define Leon Redbone's life.

    "I miss the thinking process of earlier decades, where there were
    still opportunities for people to actually somehow by their own wit
    and intelligence ... somehow be able to get something accomplished,"
    says Redbone, who claims he would have been an inventor in another
    era. (He says he has come up with a device that levels uneven tables
    more easily.)

    "With all the gadgets and technology flying all over the place, the
    people have lost that sense of interest," he adds. "They've become
    consumers more than they've become people who are interested in doing
    things for themselves."

    That said, he is the first to admit he is a "gadget person."

    His gadgets, both old and new, include a couple of old-time phonographs
    and a cell phone. But he doesn't have an iPod - yet.

    "I'm thinking of getting one."
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