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Ken Davitian Makes Laughter For Benefit Grateful Moviegoers Of Ameri

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  • Ken Davitian Makes Laughter For Benefit Grateful Moviegoers Of Ameri

    KEN DAVITIAN MAKES LAUGHTER FOR BENEFIT GRATEFUL MOVIEGOERS OF AMERICA
    By Robert Abele

    East Bay Express (California)
    February 21, 2007 Wednesday

    Old World Charm;

    As we've seen from British comedian Sacha Baron Cohen's guerrilla-style
    comedy hit Borat: Cultural Learnings of America for Make Benefit
    Glorious Nation of Kazakhstan one actor's deadpan dedication to heavily
    accented cultural naïvete in the face of unsuspecting victims can do
    wonders. Actor Ken Davitian who played Borat's bearded and oversize
    film producer, confidant and combatant Azamat Bagatov, knows this well.

    "I didn't break character," says Davitian, 53 of his audition for
    Borat. The breakdown called for a "frumpy Eastern European" man who
    didn't understand English. But instead of showing up as his needy
    American bit-player self and then performing the role for a casting
    camera, Davitian arrived a bewildered foreigner sporting baggy
    threads, a gruff demeanor, and a parlance inspired by his Armenian
    relatives. Outside the audition, amongst fellow actors he recognized
    from the ethnic-part circuit, all dressed as themselves, he kept up the
    act. "One of the guys came up and said, 'You really want this part.'"

    Inside Davitian didn't even hand over a real resume. "I had a white
    eight-by-ten that was folded in my jacket pocket," he says "I took
    it out straightened the creases, and gave it to them, and you could
    see in their eyes, 'How did this guy get in?' From what I understand,
    they thought, 'This is so sad. Let's just go through with it a little
    bit and ask him to leave.'"

    But Davitian made Cohen laugh and afterward the Los Angeles native
    brought out his regular voice and actual resume - a fifteen-year
    Hollywood grinder's menu of one-line cab drivers and shop owners named
    Igor and Ramon an ER here and a Boston Legal there, a Vin Diesel movie,
    and something called Frogtown II. (He got his SAG card for Albert
    Brooks' Real Life, but was cut out of the film.) A Curb Your Enthusiasm
    audition years ago didn't pan out, but Borat director Larry Charles,
    a Curb executive producer, had a cosmic take on it for Davitian:
    "He told me, 'If you had gotten it, when you walked into this room
    we would have known you were an actor.'"

    Of course in a comedy that upends our notions of role-playing,
    Davitian comes across as more than a mere actor or sidekick. With his
    determined waddle, non-English dialogue (he responded in Armenian to
    Cohen's Hebrew) and bearish, floppy-suited countenance, his Azamat
    is arguably the movie's true center of Old World verisimilitude. We
    know Cohen is a fake as he spotlights bigoted America, but unless
    you're a regular at Los Angeles' The Dip - the delicious sandwich
    joint Davitian owns and has used to pay the bills - why wouldn't you
    think that roly-poly tagalong was the genuine article?

    Davitian a good-natured, gregarious sort in person, is certainly one
    kind of reality: the struggling performer who juggled his dream with
    the demands of raising a family (he and wife of thirty years, Ellen,
    have two grown sons) until the breakthrough role came. When asked
    about his reaction to the Borat juggernaut - controversy promotional
    appearances, awards-season parties - he offers a Borscht Belt-timed
    response that's also achingly personal. "I have been preparing
    for this for 53 years," he says. "I'm really thrilled. I've gotten
    offers. For the first time I actually passed on a project, and I've
    never passed. I've been the guy who would be shooting a commercial
    in Fresno, drive to LA to shoot something there, and then go back
    to Fresno, and the amount of money made would be nothing. But that's
    your job. And I want to work."

    Okay but most actors outside the world of porn aren't asked to flout
    public decency laws, wrestle nude, and park their nuts on a costar's
    chin. Already a cinema classic - the homo-unerotic extreme version
    of a Laurel & Hardy bit - Cohen and Davitian's grapplefest inspired
    a memorable Golden Globes acceptance speech from Cohen who thanked
    Davitian for providing him a "rancid bubble" of trapped air with
    which to stay alive.

    But how did Davitian feel having to stare down genitalia himself?

    "Thank you, thank you, thank you," he says, grateful to have his side
    heard. Of his costar, he notes, "One, he had a very good mohel. And
    two, that big black [censor] bar was a bit of an exaggeration."

    --Boundary_(ID_EjzwZhzQmWL0Cd eCaGn3og)--
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