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How Death Metal Is The Soundtrack Of Child Prodigies

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  • How Death Metal Is The Soundtrack Of Child Prodigies

    HOW DEATH METAL IS THE SOUNDTRACK OF CHILD PRODIGIES
    Jonathan Brown

    The Independent - United Kingdom
    Published: Mar 21, 2007

    Heavy metal has long been saddled with a reputation for attracting
    admirers more interested in decibels than Descartes. New research,
    however, promises to rescue the genre from the mosh pit of intellectual
    obscurity.

    A study has revealed that death metal and thrash bands such as
    Slayer and Slipknot produce the music of choice for today's brightest
    youngsters.

    A survey which was carried out among students at the National Academy
    for Gifted and Talented Youth, a cohort drawn from the top 5 per
    cent of the nation's youngsters, drew praise for metal's "visceral
    brutality" with more than a third rating it among their favourite
    styles. Researchers admitted they were surprised to find that
    "intelligent" genres traditionally associated with the precociously
    bright, such as classical and jazz, were the least popular.

    What they discovered instead was that youngsters liked to let off
    steam to hardcore sounds, particularly if it had an emotionally
    charged or overtly political message behind it. One respondent said:
    "You can't really jump your anger into the floor and listen to music
    at the same time with other types of music."

    Stuart Cadwallader of the University of Warwick, which conducted the
    survey, said heavy metal was found to provide a form of "catharsis",
    particularly for those with low self-esteem.

    They found the aggressive music a useful conduit for their
    frustrations and anger, according to the findings revealed at the
    British Psychological Society conference in York yesterday.

    Mr Cadwallader said this intellectual elite often found themselves
    facing situations and issues not encountered by less able students.

    "Perhaps the pressure associated with being gifted and talented can
    be temporarily forgotten with the aid of music," he said.

    While other musical forms such as rock, pop and R& B were rated as the
    most popular, students said they felt particularly attracted to the
    "thrashiness" of heavy metal.

    Answering questions in an online survey, one student said Systems
    of a Down's anti-war track, "Bring Your Own Bombs" particularly
    appealed. Another track, "Aenima" by Tool, was praised for its subject
    matter - "the stupidity of the celebrity culture".

    Another praised "the visceral brutality offered by metal bands like
    Slipknot and Machine Head." The student added: "The cathartic release
    offered by heavy music played loud, either by my hi-fi or myself on
    guitar, is a wonderful thing when it's needed."

    However, many of the students disagreed over what constituted a heavy
    metal fan and argued that they liked to pick and choose from different
    styles according to the way they were feeling.

    One student concluded: "As with most music, it depends heavily on the
    person's mood at the time. So while there probably is your 'average
    metalhead fan', there will also be a lot of other fans who just feel
    'met-alheady' every so often. Which I guess goes some way to justify
    my playlists being named 'emotions'."

    School of rock

    System Of A Down: Los Angeles-based four-piece whose
    politically-charged output has much to do with the fact they are
    descended from Armenian genocide victims.

    Machinehead, far right: Boasting albums entitled Burn My Eyes and
    Hellsalive, the Oakland-based nu-metallers were banned by MTV for
    lyrical insensitivity after the Waco siege.

    Slipknot, left: Once compared to a "threshing machine devouring a
    military drum corps" this Des Moines nine-piece achieved notoriety
    with their first album, Mate.Feed.Kill.Repeat.

    Slayer, right: Recently celebrated 25 years of exploring the delights
    of satanism and serial killers.

    Finntroll: Finnish folk-death metal band that sings in Swedish and
    draws on Norse legend.
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