Announcement

Collapse
No announcement yet.

Ermen, Titre Provisoire, =?unknown?q?Th=C3=A9=C3=A2Tre_De?= L'Aquari

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • Ermen, Titre Provisoire, =?unknown?q?Th=C3=A9=C3=A2Tre_De?= L'Aquari

    ERMEN, TITRE PROVISOIRE, THéâTRE DE L'AQUARIUM, LA CARTOUCHERIE, PARIS
    By Clare Shine

    FT
    May 1 2007 17:08

    If the title leaves you mystified, think Armenia. This new work
    forms part of France's official Year of Armenia, which winds up
    this July. And although it springs from questions surrounding the
    20th-century genocide, it probes broader ideas of identity - national,
    personal - that are high on today's political agenda.

    Pascal Tokatlian was raised in France of Italian and Armenian stock,
    but started unravelling strands of family history only as a young
    adult. His monologue interweaves direct and recounted experience
    with excerpts from the writings of Aram Andonian, one of the few
    intellectuals to survive deportation to concentration camps in Syria
    and Mesopotamia between 1915 and 1919. Andonian provides gripping
    testimony - of tents as far as the eye could see, dead bodies used as
    pillows by the dying, inmates holding out shoes to scoop up servings
    of soup.

    The result is the opposite of polemic, even though the bare set is
    framed with blackboards that starkly record the events leading to the
    death of an estimated 1.5m victims. Tokatlian grounds his piece in
    intimacy, piecing together family anecdotes to assemble dispersed
    clues. He even integrates home video of a bewitching (Italian)
    granny, using as catalyst the lonely music of Gaguik Mouradian's solo
    kamantcha, played with moving restraint.

    Trying to convey the soul of a dispersed people is hugely ambitious:
    history, however harrowing, can prove dry in theatrical terms. Here
    the start proved too intense and breathless, leaving few silences for
    shared reflection. But Tokatlian is an engaging performer who grows
    more assured as he allows humour and warmth into his writing: shared
    banter with Mouradian about traditional home cooking, indefinable
    sadness filtered through memories of a soggy camping holiday. His
    recital of the final segment of Andonian's memoirs is compelling:
    " 'How long do we have to march?' 'Until your bodies can't take any
    more.' " Tel +33 1 43 74 99 61

    --Boundary_(ID_QVEnRciBQZDJ2GtPZ09NJQ)--

    From: Emil Lazarian | Ararat NewsPress
Working...
X