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The Shield: Who's Zooming Who?

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  • The Shield: Who's Zooming Who?

    THE SHIELD: WHO'S ZOOMING WHO?
    Elissa Bass

    TheDay
    9/18/2008
    CT

    Three episodes in and The Shield is beginning to gel. I was a little
    worried, because the first episode was largely an unintelligible mess,
    as they reminded us of past issues, brought us up to date on current
    issues, and laid the ground work for future issues. The second episode
    was better.

    This week's episode was The Shield For Real, as the lines of
    demarcation, which are always murky to the characters, became
    crystal clear to us. Whereas the Strike Team (or what's left
    of it, anyway) was a cohesive us-against-them-unit, then a
    fraying unit, then a what's-left-of-us-against-them unit, then a
    Vic-and-Ronnie-against-Shane-unit, and now, in the final season,
    it is not a unit at all.

    I am loving what they are doing with the Ronnie character, who was
    invisible for so long and has now come to the forefront - technically,
    to Claudette at least, he is head of the Strike Team, and this week he
    stood up to Vic like never before. "I'm not drowning for Shane ... or
    for you," he told his (former) boss, staring right into his eyes.

    I am loving the evolution of the Vic-Shane relationship as well,
    as Shane has gone from pariah to protector to partner ... or has
    he? The two are so busy deceiving each other about themselves that I
    think they aren't even sure anymore. Shane gives Vic the Strike Team
    Bad News Dossier ... but doesn't. Vic accepts it and takes him back
    into the fold ... but doesn't.

    They are doing a good job of underscoring what exactly makes Vic Vic,
    and addressing, I think, this strong viewer feeling out there that
    somehow, when it all ends, Vic should come out OK. Ronnie botches the
    drug dealer bust because they are ill prepared and undermanned (and
    also got squealed on). That would've never happened to Vic. Shane is
    perfectly willing to let illegal guns end up in Chicago, killing who
    knows who, if it saves his butt or Vic's family or both. Vic is not.

    They have also done a good job with the Dutch-Claudette-Billings
    issue. With Claudette promoted to run The Barn, Dutch was
    asea. Billings was an idiot. But now they have cleverly reteamed Dutch
    and Billings, and some actual police is happening amidst the bickering.

    I'm not sure I'm loving the Claudette ailing story. Why can't she
    just be a black woman in a white man's world, and all that that
    implies? Why does she have to have lupus as well?

    Also, the whole Mexican-Armenian thing is getting so complicated that
    it's starting to remind me of Alias, seasons three through five. And
    that is not a compliment.

    Of course, no matter what I'm savoring every gritty minute of every
    gritty episode, because I will miss it when it's gone.
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