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  • Europeans Also Are Sick And Tired Of American Films; They Support Th

    EUROPEANS ALSO ARE SICK AND TIRED OF AMERICAN FILMS; THEY SUPPORT THEIR HOME FILM PRODUCTION
    By Rouzan Poghosian

    AZG Armenian Daily
    10/07/2007

    The opinion that the American films are shown only in developing
    countries and the film goers in the developed countries view
    only valuable films is far from being true. Henry Monriet and
    Melanie Moltman, cultural counsellors of the British and the French
    Embassies to Armenia, stated about this at a "Golden Apricot" press
    conference. "The American films have flooded the European screens and
    we all should fight against that. We are grateful to the organizers of
    the festival for opening the doors of the European cinema in Armenia,"
    Mr. Monriet. According to Moltman, by spreading the American films,
    the US film makers manage to overwhelm the European films, as they
    Europeans do not even try to carry out the propaganda of their
    films. Fortunately, recently, the situatuin is improving, and the
    European films grow in number and become more popular in the European
    countries. As compared with the French, the German films are frequently
    criticized for being complicated and hard to understand. That's why,
    in the course of the last few years there are more entertainment
    movies shot.

    The program of "Golden Apricot" film fetsival includes the following
    French films "Clean" by O. Assayas, "Le Petit Lieutenant" by Beauvois,
    "Flanders" by B. Dumont, "Cold Showers," A. Cordier, "Lovers on
    the Pont-Neuf," by L. Carax, "Cause Toujours" by J. Labrune and
    many others.

    "These films dwell on the naked French reality that varies with the
    image of Franec that you all may have, as the films picture the living
    conditions of the socially insecure layers of the French society.

    Cartainly, the romantic tradition of the French films is preserved
    and there are love stroeis in the films, too," Mr. Monriet added.

    The agenda of the German films are included within the framework of
    "Europe 2006" program in the "Golden Apricot" film festival. The
    Yerevaners can watch the following films "The Telephone Booth" by
    Eldar Grigorian and "Yella" by Ch. Petzold.

    The list of the British films includes "The Screamers" by Karla
    Karapetian and "The Queen" by Stiven Frears.

    It's quite surprising that the Russian Embassy to Armenia expressed
    no will to cooperate with "Golden Apricot," though there are several
    Russian films included in the festival's table of screening. Only
    the newly opened "House of Moscow" promised to give shelter to the
    guests who are arriving from Russia.
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