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`Potentially One Of The Greatest Pianists Of The 21st Century'Gilmor

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  • `Potentially One Of The Greatest Pianists Of The 21st Century'Gilmor

    `POTENTIALLY ONE OF THE GREATEST PIANISTS OF THE 21ST CENTURY'GILMORE RISING STAR YEVGENY SUDBIN ALREADY HAS A STRONG CRITICAL FOLLOWING
    By Elizabeth Clark

    http://www.mlive.com/entertainment/kzgazett e/index.ssf?/base/features-2/1194276021228300.xml& amp;coll=7
    Sunday, November 04, 2007

    KALAMAZOO -- Russian-born and London-based pianist Yevgeny Sudbin's
    Gilmore Rising Stars Recital Series concert at the Wellspring Theatre
    next Sunday may be a bit of a misnomer.

    Between his rigorous itinerary of performances around the world and
    far more than a mantle-full of awards --including the Alfred Brendel
    Prize, Orpheum Public Award and the Vendome Prize to his name and
    his five-year recording contract with BIS Records -- the distinction
    between "rising" and risen has most certainly been met.

    The 27-year-old performer typed a smiley face in an e-mail interview
    from London when asked whether he took umbrage at being considered a
    "rising star" more than a decade into his noteworthy career.

    "Not at all," he wrote. "I think you find some of the most unique
    talents within the `rising stars' category. ... I am somewhat
    oblivious to how people view me or my career. I was always preoccupied
    discovering composers and works that would suit my musical personality
    and preparing for the next concerts. The perception of others is the
    last thing on my mind!"

    More pressing on his mind at the time of his writing was his then
    upcoming trip to Yerevan, Armenia, where he would be performing
    Beethoven's "Emperor" Piano Concerto as a "run-through" for his debut
    soon with the Minnesota Orchestra. While Beethoven's Fifth might prove
    daunting for some because it is so well-known, Sudbin said he was no
    more nervous about his debut with the Minnesota orchestra than any
    other concert.

    "I have to mention that I am nervous before every concert, no matter
    how important," he wrote. "This nervousness is a positive one and
    important in order to achieve some excitement in the performance. I
    don't think I can perform without being nervous at all. (Nervousness
    is maybe the wrong word.

    I think a type of excitement is probably more like it.) I am at a
    stage now where every performance is very important and in a way each
    has to be better than the previous one. Although it is impossible to
    achieve it in practice, this is an ideal I strive to."

    A Gramophone UK reviewer examining his performance of Medtner and
    Tchaikovsky concertos said nervousness isn't palpable in Subdin's
    performance. "There is nothing tentative about his commanding
    style. ...

    Sudbin's performance here fairly explodes with imagination, feeling
    and desire. Here, one feels, is a pianist hungry to test himself
    intellectually and emotionally as well as technically." A London Daily
    Telegraph reporter hailed Sudbin as "potentially one of the greatest
    pianists of the 21st century."

    The program he'll play at his Gilmore recital is prevalent on his 2007
    itinerary and is full of contrasts. Sudbin writes his own program
    notes and explores in great detail the composers and the pieces
    in fascinating text in his show-bills for concert-goers to further
    explore the pieces including Haydn, Medtner, Chopin and Scriabin.

    "Both Haydn Sonatas oppose each other in character; while the B minor
    one is declamatory and often full of fury, the C major is cheeky
    and full of humor," Sudbin wrote. "I love Medtner's music but the
    audience sometimes finds his music hard on the first hearing. His
    Sonata Reminiscenza is probably some of his most accessible works, and
    I usually get positively surprised how much the audience warms to it."

    Half of the program focuses on Chopin Mazurkas and what he calls
    the "mystical world" of Scriabin. "I devoted a whole second half to
    Scriabin because I feel one should experience how his style progresses
    and his sound world changes. It is quite incredible; from innocent
    romanticism (Mazurkas) and nostalgic impressionism (2nd Sonata)
    his music develops into demonic outbursts of truly terrifying power
    (in the 9th Sonata)."

    Recital

    Gilmore Rising Stars Recital Series: Yevgeny Sudbin -- Solo piano
    recital by 2008 Gilmore Young Artist, 7 p.m. next Sunday, Wellspring
    Theater, 359 S.

    Kalamazoo Mall, Kalamazoo. $22, $5 students. 342-1166.
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