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World's Best Walnuts - And Much Else In Armenia

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  • World's Best Walnuts - And Much Else In Armenia

    WORLD'S BEST WALNUTS - AND MUCH ELSE IN ARMENIA
    By Sven Krogius

    Brooklyn Daily Eagle
    http://www.brooklyneagle.com/categories/category.php?category_id=27&id=47435
    Nov 16 2011

    by contributor ([email protected]), published online
    11-16-2011

    Walnuts! Yes, if you want the freshest, best tasting walnuts the
    world has to offer go to Yerevan. Not dried out, seen-better-days,
    dull dark brown specimens these, but utterly whole (all four quarters
    - but without the unpleasant, inedible dividing membranes), light
    organic tan in color and practically chewy. I bought a double fistful
    in the Central Bazaar in Yerevan for 1,000 dram (about three dollars)
    that pleasurably fortified me for the long weekend.

    Osip Mandelstam, a Russian poet who visited Armenia in 1930, and
    credited it with reviving his poetic voice, called Yerevan a "roasted
    nut" of a city in his poem "Armenia." And when I later learned that
    the ancient Armenian scribes used walnut oil to copy sacred texts, I
    wasn't in the least surprised - this delicious nut does have something
    of the holy in it.

    But first some background. Yerevan, the capital of Armenia, dates
    from ancient times. According to the guide books, Yerevan traces
    its founding back to the 8th century BCE, with the construction of
    Erebuni fortress, the ruins of which can be seen on a large hill not
    far outside the center of Yerevan. (I did visit the Erebuni site,
    but was underwhelmed. It's a far cry from Pompeii or even Knossos,
    and it's hard to believe that much of what remains dates back to 782
    BCE - when the Assyrians were big players in the area.)

    Near Mount Ararat

    And the general area about Yerevan dates from the very beginning of
    Biblical times. The peak of Mount Ararat, where according to the Book
    of Genesis Noah's Ark came to rest, is located a mere 30 miles away
    (in Turkey).

    (While I gather that there are rather stunning views of Mount Ararat
    from Yerevan, the haze blocked the view of Ararat during the whole of
    my trip.) Also, and a source of great pride to the country, Armenia
    is regarded as being the first country in the world to officially
    convert to Christianity - in 301 - prior to Constantine's legalization
    of the worship of Christianity in Rome in 313.

    A quick sidebar on Armenian names. Think the "yan" or "ian" ending
    and you've probably got an Armenian attached. (This was originally
    a patronymic suffix, meaning "son of," so "Petrosian" would be the
    equivalent of "Peterson.") Some luminaries include Kirk Kerkorian,
    the casino and movie mogul (not to be confused with Dr. Kevorkian),
    Vartan Gregorian, William Saroyan, more recently, a reality TV star
    named Kim Kardashian.

    The city itself is not an architectural wonder: mostly Uncle Joe
    (Stalin) type apartment buildings and a slick avenue in the middle of
    the city that is very new. But it does have a southern climate charm.

    Many of its streets are lined with big leafy sycamore trees giving it
    that welcoming allee feeling. Republic Square, one of the main squares
    in the city, which houses the National Art Gallery and a number of
    government ministries, also has some very attractive curve-fronted
    terracotta-colored classical buildings.

    One thing that hit me early in my city wanderings was the variety
    of the street tiles. The predominant pattern seemed to be the square
    and circle, where smaller circular tiles graced the four corners of
    a larger square tile, but it hardly had a monopoly. There was the
    jagged or wavy rectangle, the hexagon, the fan pattern, trapezoidal,
    standard square tiles with eye patterns and cross patterns, and
    plenty of gray slate. (And in such contrast to the unvarying, cold,
    gray rectangular tiles that have been recently mandated on all Moscow
    streets). Hardly pedestrian being a pedestrian in Yerevan.

    Museum 'After Hours'

    My first port of call on the evening of my arrival was the "Mother
    Armenia" statue that stands high above the northeastern edge of the
    city. She's a huge 23-meter copper guardian, who balances a massive
    sword in front of her, and stands on a large stone pedestal and
    faces over in the direction of Turkey to the Southwest. She replaced
    a statue of Stalin that was originally on the site sometime in the
    1960s. I arrived after dark, but the fellow manning the museum in the
    base of the pedestal beckoned me in with an invitation that I could
    contribute whatever I wanted for the "after hours" favor. The small
    rather childishly compiled exhibition dedicated to the Nagorno-Karabakh
    war with Azerbaijan probably isn't worth a special visit, but it does
    show how seriously they take their military history. Mother Armenia
    herself, however, is a great sight at night, and bathed in the klieg
    lights, she really sparkles.

    The next morning, my first visit was to Matenadaran, Yerevan's
    ancient manuscripts library. The collection available for public
    viewing is small but compelling. At the front of the main building
    of the museum is a statue of Saint Mesrob Mashtots, who invented
    the squiggly-looking Armenian alphabet in 405. But please note that
    the collection is now housed in an annex behind the main museum. The
    collection of illuminated manuscripts makes for good viewing. Among the
    highlights: a medical encyclopedia entitled "Useless for the Ignorant"
    and the enormous 28 kilogram "Homilies of Mush."

    Genocide Museum

    Next up was the Museum of the Armenian Genocide, which I highly
    recommend. It's a couple of kilometers to the west of Yerevan's
    center. Outside the entrance to the museum (which is actually
    underground) are a large spire and a series of slanting slabs of
    grey rock which form a sort of bower over an eternal flame. The
    museum display is very moving, showing a series of black and white
    photos depicting various horrors from the genocide - focusing on
    the atrocities committed during 1915. There are pictures of Armenian
    doctors being hung, Armenians being marched out to the Syrian deserts
    and plenty of emaciated bodies. One particularly telling photo showed
    one of the quarters of the city of Van (now in Turkey south of Mount
    Ararat) before and after the Turkish invasion of 1915 - in the first,
    an attractive, dense mass of buildings, in the second, not much more
    than a pile of rubble.

    Based on a chart that appears at the end of the exhibition, the City
    of Van was reduced from a population of 197,000 in 1914 to 500 in
    1922. There are also excerpts from Henry Morgenthau, Sr.'s account
    of the genocide taken from his book "Ambassador Morgenthau's Story."

    Morgenthau was the American ambassador to the Ottoman Empire from
    1913 to 1916, and reported that the Turks were "giving the death
    warrant to a whole race." The big villains of the exhibition, the
    "Three Pashas" - the Ottoman minister of the interior, Mehmed Talaat,
    the minister of war, Ismail Enver, and the minister of the Navy,
    Ahmed Djemal - are pictured as well. They apparently justified the
    harsh treatment of the Armenians on the ground that the Armenians
    were effectively fifth columnists, collaborating with the Russians,
    enemies of the Ottoman empire.

    Temple, Monastery

    After hitting the ruins of Erebuni, I decided it was time to trek out
    to two of the most visited tourist sites in Armenia: the Garni temple
    and the Geghard Monastery. Geghard is about a 40-minute drive to the
    east of the city and Garni is along the same road a few miles closer
    than Geghard. I flagged down a cabbie who offered to take me there
    for 3,000 dram (about the equivalent of 9 dollars - almost everything
    is dirt cheap in the country). There was a soon-to-be-discovered
    additional cost, however, as the nice fellow had terrible breath,
    and I had to keep the window fully down for the full trek and ask as
    few questions as possible to keep myself out of harm's way.

    Geghard is a gem, beautifully located on a steep green gorge. The main
    church dates from the 13th century and sports a beautiful rounded
    tower and a stone portal with fine carvings. The monastery is named
    after the holy lance which pierced Christ's side at the crucifixion,
    but the lance itself now resides at the main church in Echmiadzin
    (more about Echmiadzin later). As I visited at dusk, I got a good
    sense of the mystery of the place, which is partly carved out of the
    surrounding rock, but wasn't able to capture much on film.

    Garni was next. It was already 8 p.m. or so and quite dark, but an
    accommodating guard let me in to the complex for 1,000 dram. He handed
    me a flashlight and gave me leave to explore. Garni is Hellenic temple
    that was probably originally constructed in the first century CE,
    but was then destroyed and reconstructed in the 1970s. From what
    little I could make of it in the night, the 1970s aspect prevailed.

    The next and final day I opted to visit Echmiadzin, which is described
    as the Vatican of the Armenian Apostolic Church. It is where the
    Catholicos (the top figure in the Armenian church) resides and has
    the main cathedral of the country, Mayr Tachar. Echmiadzin is about
    30 minutes by car to the west of Yerevan, and the trip is much less
    scenic than to Geghard. The cathedral complex is very attractive,
    swarming with monks with pointed cowls. The day I visited they were
    ordaining thirty-three new bishops, and access to the lance of Christ
    was barred - but the nice hubbub of the ordination ceremonies made
    up for it in full.

    And so back to the Yerevan airport (and one bizarre looking
    bad-science-fiction-movie airport at that) and on to Moscow. And
    I couldn't help but musing as Mandelstam apparently did, that I
    was returning to a rather grim reality after a delightful Armenian
    interlude.

    Sven Krogius is an attorney currently based in Moscow. He is a son
    of editor Henrik Krogius.

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