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Buyers Be Aware: Notable Projects From Toronto's Doc Forum

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  • Buyers Be Aware: Notable Projects From Toronto's Doc Forum

    Buyers Be Aware: Notable Projects From Toronto's Doc Forum

    indieWIRE
    May 6, 2009

    by Peter Knegt

    The 2009 Toronto Documentary Forum - the largest doc market in North
    America - kicked off this morning on the campus of the University of
    Toronto, with hundreds of filmmakers, producers, broadcasters and
    distributors gathering to witness twenty-five presentations of
    documentary projects at various levels of completion. Despite an
    economic climate that isn't exactly conducive to stimulating the
    international co-production financing, the Forum - celebrating its tenth
    anniversary as part of the Hot Docs International Canadian Documentary
    Festival - wagered on.

    `These last 10 years have seen unprecedented growth in our industry - a
    growth that has been clearly paralleled with the world's economy,' TDF
    director Elizabeth Radshaw, having the unfortunate role of taking on her
    first year in the position in the midst of a recession, said. `While we
    have learned that this wider economic growth was built on a shaky
    foundation, let us not doubt that the growth in appetite for factual
    content and documentary film couldn't be more true and lasting.'

    Projects ranging from a story of a boy and his quest for a donkey to an
    examination of the Bush Administration's war crimes case to a detailing
    the dark closet of Rock Hudson will fill out the 2-day event, which
    culminates in the very first Good Pitch event in North America. But
    first, here's the lowdown on nine notable projects from the Toronto
    Documentary Forum:

    A Donkeymentary: Through The Eyes of a Donkey
    Directors: Arman Yeritsyan, Vardan Hovhannisyan
    Producers: Vardan Hovhannisyan, Vahe Ohanan
    Country: Armenia
    Production Company: Bar Media
    Proposed Delivery Date: 12/01/10
    Financing Sought: $202,200 (72%)

    The Lowdown: `This is a donkeymentary,' the film's treatment begins.
    What this means is that it's a film that explores the small island of
    Lamu (off the coast of Kenya), which consists of 24,000 people, 6,000
    donkeys, and 2 cars. `The donkey capital of Africa,' the island is a
    place where donkey traffic jams occur, where the largest humanitarian
    organization is a donkey sanctuary, where donkeys are the key to earning
    a living, and where `a young boy's fondest dream is to have a donkey of
    his own.' The film follows 14-year old Shefama as he pursues this dream.
    After winning a donkey race with a borrowed animal last year, Shefama is
    determined to provide for his family by owning his own, and winning more
    races. As the treatment notes: `Through Shefama's eyes we will see the
    traditions of Lamu's Swahili culture - the festivals, the music, the
    races and especially the donkey races.'


    god Is Not Great
    Director: Jeff Scheftel
    Producer: Carolyn Pfeiffer
    Country: USA
    Production Company: Magnolia Pictures/Magnet Releasing
    Proposed Delivery Date: 09/01/2009
    Financing Sought: $744,854 (80%)

    The Lowdown: Closely following Christopher Hitchens' book of the same
    name (which spent 19 weeks on the New York Times' bestseller list),
    `god' will feature Hitchens' onscreen persona, and will be divided into
    sections similar to Hitchens' book (`The Pantheon of Religious Failure,'
    for example, which looks at some eccentric sects that never quite made
    it to the status of `religion'). The film will feature interviews with
    figures like Ted Haggerty, once an evangelical superstar but now
    enjoying his new life post-revelation of his methamphetamine addiction
    and his use of drugs to enhance sex with gay prostitutes; Tony Blair,
    who recently converted to Catholicism; and Ayaan Hirsi-Ali, a crusader
    for the rights of women and the rule of law within both Islamic
    countries and those Western countries with Islamic immigrants. In the
    film's treatment, the producers state that through these interviews,
    Hitchens `will continue and enlarge his crusade against the sinister
    intrusion of superstition into the life of our
    planet.'


    The Guantanamo Trap - The War Crimes Case Against The Bush Administration
    Director: Thomas Wallner
    Producers: Amit Breuer, Thomas Kufus, ZeroOne Films
    Country: Canada
    Production Company: Xenophile Media, Inc/Amythos Films
    Proposed Delivery Date: 04/01/10
    Financing Sought: $522,116 (56%)

    The Lowdown: An HD doc that follows the journey of Murat Kurnaz, an
    innocent man and former Guantanamo detainee from Germany, `Trap' aims to
    explore `how people can get swept up in the great currents of history
    and how fate can propel them on twisted and unpredictable paths.' Kurnaz
    was captured in Pakistan just after 9/11, and incarcerated for five
    years based on fabricated charges. He is now a key witness in the war
    crimes case against the Bush Administration. The film will draw on
    stock footage, personal testimonies and facts not available until
    recently to tell his story. The producers assert in their treatment: `In
    the coming year, the final chapter of Guantanamo, the secret CIA prisons
    and the illegal war on terror will be written during the making of this
    film.'


    MATCH+: A Story About Love in the Time of HIV
    Directors: Priya Giri Desai, Ann S. Kim
    Producers: Priya Giri Desai, Ann S. Kim
    Country: USA
    Production Company: N/A (e-mail: [email protected])
    Proposed Delivery Date: Fall 2010
    Financing Sought: $375,000 (93%)

    The Lowdown: This film aims to tell the human story of HIV/AIDS through
    a new lens: the growing movement of HIV-positive marriages in India.
    `Despite stigma and controversy,' `MATCH+``s treatment notes, `doctors
    connect patients, NGOs run marriage bureaus, and singles place
    classified ads seeking HIV-positive matches.' The film will focus on
    the specific story of AIDS doctor Suniti Solomon and her clinic, which
    has a matchmaking service for HIV-positive patients. Her voice will be
    integrated through the film to illustrate the trajectory of matchmaking
    in her patients. The treatment claims: `MATCH+ will create a larger
    story about a universal human truth: that all people - positive or
    negative - want to be accepted and loved as they are.'


    Rock Hudson: Dark and Handsome Stranger
    Directors: Andrew Davies, Andre Schafer
    Producer: Marianne Schafer
    Country: Germany
    Production Company: FLORIANFILM GmbH
    Proposed Delivery Date: 10/01/10
    Financing Sought: $388,749 (71%)

    The Lowdown: Rock Hudson died of AIDS 25 years ago, and it would have
    been his 85th birthday in November 2010, a month after `Dark and
    Handsome' aims to be completed. The doc aims to ask in reflection: Who
    was the real Rock Hudson? Was he a kind of invented personality? By
    examining the `intimate and private world' of Hudson through interviews
    with former co-stars like Elizabeth Taylor, Paula Prentiss, and
    `Dynasty'`s Heather Locklear and Linda Evans, as well as family members
    and friends, like novelist Armistead Maupin and Hudson's assistant of 10
    years, Tom Clark. As the producers note: `The film will reveal a gay
    star doing a secret balancing act between the heterosexual world of an
    obviously very male-looking star and the dark side of forbidden
    sexuality as a closeted gay.'


    Shi*t!
    Directors: Annika Gustafson, Phil Jandaly
    Producer: Annika Gustafson
    Country: Canada
    Production Company: Bedouin Viking Inc.
    Proposed Delivery Date: 09/10
    Financing Sought: $204,000 (42%)

    The Lowdown: `Sh*t!,' as the producers note, is about solutions.
    Solutions to the serious threat that human bodily waste has on the
    world: In the West, under-dimensioned and decaying sewage systems leak
    into basements and rivers; A whopping 2.6 billion people are without
    toilets, forced to defecate in the streets (which poses the single
    largest threat to drinkable water and public health on the planet); 50%
    of the world's hospital beds are filled with sanitation-related cases.
    `We want our audience to feel the real danger behind ignorance of the
    problem before we present sensible, almost unbelievable solutions.' So
    what are they? Many examples come from Sweden, where biogas digesters
    harvest `the innate power of poo' and turn into natural gas. As the
    film's treatment cleverly notes: `Imagine a world that sees poo for what
    it truly is - brown gold!'


    Terror in Mumbai
    Director: Morgan Matthews
    Executive Producers: Nick Fraser, Greg Sanderson
    Country: UK
    Production Company: Minnow Films Ltd
    Proposed Delivery Date: 08/09
    Financing Sought: $510,000 (78%)

    The Lowdown: Retelling the events of the 2008 Mumbai attacks, `Terror'
    aims to `unfold as a gripping cinematic thriller.' The film will weave
    together filmed testimonies from survivors and victims' families with
    the back-story of the terrorists and their handlers, making us of the
    extraordinary catalogue of media-sourced and personal archives on the
    60-hour ordeal. As the producers note in the `Terror'`s treatment:
    `From the backstreets of Mumbai to the palatial surroundings of Indian
    high society, this film will use award-winning director Morgan Matthews'
    trademark intimate observational style to tell the most astonishing and
    compelling stories in graphic and poignant detail.'


    Through a Lens Darkly: Black Photographers and the Emergence of a People
    Director: Thomas Allen Harris
    Producers: Ann Bennett, Alison Duke
    Country: USA
    Production Company: Through The Lens Darkly, LLC
    Proposed Delivery Date: 02/01/10
    Financing Sought: $1,958,000 (78%)

    The Lowdown: A `documentary and media outreach project,' `Lens' explores
    how African-American and African diasporic communities have used
    photography as a way to create political, aesthetic, and cultural
    representations of themselves and their world. As the producers note:
    `This will be the first film to vividly bring to life the individual
    photographers and photographer collectives whose images and
    personalities helped define and transform the lives of African-Americans
    through the magic and power of the camera lens.' Director Harris, a
    former photographer, will guide audiences through the project by
    building a dialogue across generations, time and geography. `Our
    project will invite audiences to creatively engage in their futures by
    fearlessly exploring their pasts,' Harris said in the film's treatment.


    Town of Runners
    Director: Jerry Rothwell
    Producers: Al Morrow, Dan De Missie
    Country: UK
    Production Company: Met Film Production
    Proposed Delivery Date: 2010
    Financing Sought: $208,800 (75%)

    The Lowdown: This HD doc follows a group of young athletes in rural
    Ethiopia as they made the journey toward national track competitions.
    Set against a backdrop of sharply rising food and fuel prices, which
    have a huge impact on farming regions in Ethiopia, `Town' depicts coach
    Sentayehu Eshetu - who helped Derartu Tulu become the first African
    woman to win an Olympic gold medal - and his group of pupils, aged
    12-18. Their preparation for defining races aims to, as the film's
    treatment notes, `understand the significance of running for them and
    the obstacles they face - to create a portrait of African youth seen not
    through the standard lens of poverty, but of ambition and hope.'


    For more information on these and other projects, please visit Toronto
    Documentary Forum's website.

    http://www.indiewire.com/article/buyers_ be_aware_10_notable_projects_from_torontos_doc_for um1/pem
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