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ISTANBUL: How Many Angels Can Dance On The Head Of A Pin?

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  • ISTANBUL: How Many Angels Can Dance On The Head Of A Pin?

    HOW MANY ANGELS CAN DANCE ON THE HEAD OF A PIN?
    by Mouhanad Halwani*

    Today's Zaman
    Feb 1 2012
    Turkey

    This quintessential question consumed Byzantines in the mid-15th
    century -- right at the peak of the Turkish blitzkrieg.

    While Turkish forces pounded the walls of Constantinople (with the
    largest cannons known to mankind back then), monks quibbled crossly
    about this complex conundrum, oblivious to the winds of change that
    were sweeping across their empire.

    Today, in a world existentially threatened by a worldwide economic
    collapse, currency devaluation, global warming and rogue states making
    away with nuclear weapons, one nation is going all Byzantine. In
    a throwback to the good old days, France contemplates codifying
    legislation that renders the "Armenian genocide" sacrosanct. Any
    denial, debate or critical thinking incongruent with the government's
    narrative can land you one year in jail and a hefty fine of 45,000
    euros. So, if you're like historian Dr. Bernard Lewis, who posits that
    "there is no evidence of a decision to massacre [Armenians]. On the
    contrary, there is considerable evidence of attempt [sic] to prevent
    it." You'd better not be in France while expressing such views.

    Come to think of it, it's quite ironic. France, a country that prides
    itself as the stalwart champion of equality, liberty and fraternity
    comes up with a law that claws at two of its founding principles in
    one fell swoop. In one bold -- yet dubious -- coup de maître, Paris
    Match becomes Pravda.

    Now I will not linger in this article on how unwise it would be for
    a country to forsake the principles that made it great. Nor will I
    extrapolate the dangers of curbing free speech and exercising double
    standards, which amounts to taking steps down a slippery slope that
    leads to authoritarianism and fascism. As for the history of the
    subject matter, I will leave that to well-grounded historians to
    discuss in the halls of academia as opposed to fickle politicians to
    assert in the House of Commons.

    This brings me to the crux of this article, which is about the nature
    of France's "Armenian genocide" legislation. History, in this case,
    is not about finding the truth or granting justice to any of the
    victims of World War I. Instead, history is used -- nay, abused --
    as a tool of foreign policy. Through highly selective and prejudicial
    interpretation, history is weaponized, and the gestalt of Turkey
    (its culture, its history and even its people) are branded with the
    mark of Cain.

    Why Turkey? Why now?

    Who knows? Maybe the grounds for not admitting Turkey into the EU
    have become too thin. After all, while the so-called "PIIGS states"
    of the EU (Portugal, Italy, Ireland, Greece and Spain) have exposed
    themselves as stagnant entities mired in ineptitude, mismanagement
    and inertness, Turkey has time and again distinguished itself in the
    last decade as a dynamic political player and an economic powerhouse.

    Running out of solid reasons to turn down Turkey's candidacy for
    the EU club, trumped up charges are hence dug up to cast Turkey in
    a negative light.

    And therein lies the rub. It is one thing to criticize a country's
    economic performance or social laws. It is another to demonize an
    entire people based on the subjective interpretation of a series of
    events that happened a century ago.

    History should be used to bring people together -- to highlight how
    much we all share. History should strive to build bridges between
    people, not walls. It should discuss rather than denounce. Europe
    tried it the other way and got oppressive colonialism, centuries of
    incessant wars and two world wars in the last hundred years.

    If this is not the universe telling the French to "take a hint"... I
    don't know what is.

    *Mouhanad Halwani is a freelance writer based in Beirut.

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